Publications intended for professional communities


Viisi vuodenaikaa – Harakan taiteilijayhteisön 30-vuotisjuhlajulkaisu (Harakka artist community 30 year celebration publication ed. by Sirkku Ala-Harja) small pdf:19 Harakan_julkaisupienversio

“Year of the Dog in Lill-jan’s Wood”, in Yelena Gluzman, Matvei Yankelevich (eds.) Emergency Index vol.8, New York: Ugly Duckling Press 2019, 50-51.

”Performing as a tourist – with trees”. In Terese Longva and Rita Marhaug (eds) Between Sky and Sea V: Tourist. Bergen: performance Art Bergen and PABLISH 2018, 128-149.

“Four Workshops –  Four Approaches to Performance Art” in Pilvi Porkola (ed.) Performance Artist’s Work Book. On teaching and learning performance art – essays and exercises. University of the Arts Helsinki, Theatre Academy and New Performance Turku 2017, 33-47.

“Sunday with a Pine”, in Yelena Gluzman, Matvei Yankelevich (eds.) Emergency Index vol.7 , New York: Ugly Duckling Press 2017, 346-347.

“How to perform landscape with repetition?” video with text In Icehole #6

“Artistic research as a speculative practice”, JAR (Journal for Artistic Research) network texts, here

“The Hazel” in Yelena Gluzman, Matvei Yankelevich (eds.) Emergency Index vol.6 , New York: Ugly Duckling Press 2016, 116-117.

“Esipuhe” [preface] to Johdatus esitystutkimukseen, the Finnish language edition of Richard Schechner & Sara Brady Performance Studies – An Introduction. Trans. Sarianna Silvonen. Teatterikorkeakoulun julkaisusarja 48. 2016. Helsinki: University of the Arts Helsinki Theatre Academy, 14-16.

“Performances for Camera” in Icehole #2, The Live Art Journal here

“Year of the Snake Swinging” in Yelena Gluzman, Matvei Yankelevich (eds.) Emergency Index vol. 3. Ugly duckling presse, New York 2014, 40-41.

“Year of the Snake Swinging (mini)” in the first Issue of ICEHOLE, the Live Art Journal here

“Jäädytetty aika ja maiseman tapahtuminen” [Frozen Time and the Happening of Landscape] AVEK –lehti 2/2014, 22-28.

“Calling the Dragon” in Yelena Gluzman, Matvei Yankelevich (eds.) Emergency Index vol. 2. Ugly duckling presse, New York 2013, 44-45.

”Year of the Rabbit – With a Juniper” in Yelena Gluzman, Matvei Yankelevich (eds.) Emergency Index Ugly duckling presse, New York 2012, 64-65.

“Is Performance Art Self-Portraiture – Me or Other People as Medium” in Benedicte Clementsen, Karen Kipphoff and Agnes Nedregard (eds.) Never? Now? Performance Art! Never or Now, Bergen & Revolver Publishing, Berlin 2011, 34-47. Available here.

“Esiintyjästä ja tekijyydestä” [Performer and Author] Esitys no 1/2011, 4-9.
“Paikkakohtainen esitys – tilannekohtainen teos” [Site-specific performance – Situation based work] Kompositio 4/ 2009, 5-10.

“Dokumentaatio ja performanssi” [Documentation and Performance] Esitys no 2/ 2009, 4-11.

“Esitys ja taide / Performance and Art” in Juha Valkeapää (ed.) Amorph! 08 Muu ry 2008

“Miten esityksellistää maisema, miten toimeenpanna paikka?”/ “How to turn a Landscape into a Performance, How to carry out a Place?” in Mirka Niskala (ed.) ANTI Contemporary Art Festival 2002-2006, Time-Based and Site-Specific Contemporary Art in Kuopio. Savonia 2007, 49-61.

“Mihin opettajaa tarvitaan” [What is a teacher needed for?] in Annette Arlander, Siri Kolu, Max Ryynänen, “Osa I: Opettajana taidekorkeakoulussa” [Part I: As teacher in an art university]. Taidekasvatuksen verkkolehti SYNNYT 4/2006, 25-29. Available here.

“Do You Remember? Do you? – No I don’t” in Saini Lehtinen (ed.) TTT- Kellariteatteri 1965-2005 Muistijälkiä. Tampereen Työväenteatteri  2006, 77-89.

“Performing landscape – changing site” 3 x t – tidskrift for teori og teater Nr 20/2005, 116-123.

“Kuinka esityksellistää maisema?” [How to perform landscape?] (Marja Sakari & Annette Arlander) in Otso Kantokorpi & Marja Sakari (eds.) Mistä on taiteilijat tehty? [What are artists made of?] Museum of Contemporary Art Kiasma & Taide 2004, 31-43.

“Näyttämökohtaisuudesta” [On stage-specificity] Nuori Voima 2/ 2004, 32-35.

“Valoa ja ihoa kristallipallossa” (virkaanastujaisesitelmä) [Light and skin in the crystal ball, inauguration lecture] Teatterikorkeakoulu-lehti 2/2003, 28-33.

“Johdanto” ja ”jälkisanat (taiteilija kirjoittajana)” [Introduction and afterword (the artist as writer)] in Annette Arlander (ed.) Esitystaidetta kohti – kokemuksia, ajatuksia, näkemyksiä. [Towards Performance Art – experiences, thoughts, views]. Episodi 1. Teatterikorkeakoulu 2003, 5-7, 128-136.

“Itseään itselleen esittävät vanhukset – Beckettin viimeiset näytelmät” [Old people performing for themselves – the last plays by Beckett] Nuori Voima 6/2002, 20-25.

“Esitys tilana ja tila esityksenä” [Performance as space and space as performance] Teatterilehti 6/2001, 12-15.

“Esitys, installaatio ja liike tilassa” / “Performance, Installation and Movement in Space” in Pertti Kekarainen Paikka 1/ Site 1 Museum of Contemporary Art Kiasma 1999, 23-34.

“Om rummet – ’att göra något innebär att vara någonstans’” [On space – to do something means to be somewhere] Teatterikorkeakoulu-lehti, extra nummer 1996, 28-32.

“Joitakin keskusteluja tilasta” [Some conversations on space] Teatterikorkeakoulu-lehti nro 1/1996, 14-20, 50.

“Sitruunat ja muut hedelmät” [Lemons and other fruit] Teatterilehti 1/1996, 19-24.

“Minä lähdin kotoani…” [I left my home…] in Pauline von Bonsdorff (ed.) Ympäristöestetiikan polkuja [Paths of environmental aesthetics] International Institute of Aesthetics Series vol. 2. Jyväskylä 1996, 6-9.

“Is yesterday’s avant‑garde today’s avant‑garde too? Why a futurist reconstruction?” (Annette Arlander and Pieta Koskenniemi), News from the Finnish Theatre 1989.

“Annette Arlander” (interview) in Anneli Ollikainen (ed.) Haaveesta vai pakosta? Näkökulmia teatteriohjaajan työhön. [Out of dreams or obligations? Perspectives on the work of a theatre director] Valtion Painatuskeskus. Teatterikorkeakoulu 1986, 7-26.

“Regressio I + II” in Satu Kiljunen, Juha-Pekka Hotinen, Kimmo Takala (eds.) Performance Taidehalli 1985, 14-17, 115-16.

“Kains arv eller sju meditationer om politisk sadomasochism” [The Lecacy of Cain or seven meditations on political sadomasochism]” Fågel Fenix nr. 1. 1976, 52-53.

Annette Arlander makes notes on work in progress and archives her previous work