“Writing with a Pine: Addressing a Tree as Audience.” Näyttämö Ja Tutkimus, 9, 2023, 103–120. Retrieved from https://journal.fi/teats/article/view/127615
“Rainy Day in Rekdal”, P-e-r-f-o-r-m-a-n-c-e, 6, 2022 http://www.p-e-r-f-o-r-m-a-n-c-e.org/?page_id=6247
“Revisiting the Aspen Tree”. Screenworks 13.1. December 2022 https://doi.org/10.37186/swrks/13.1/2
“Becoming a Tree with a Tree”. Journal of Dance & Somatic Practices Vol. 14 Number 2 2022, p.231-248. https://doi.org/10.1386/jdsp_00081_1
“Returning to the Stairs – on temporality and self-portraiture”. PARtake: The Journal of Performance as Research Vol.5 No.1 (2022), see here
“Looking at (Overlooked) Lichen – Visual journaling as part of meetings with remarkable and unremarkable trees” Research in Arts and Education vol 1 (2022) pp. 75-82 https://doi.org/10.54916/rae.116978
“Kasvien performanssit: kasvit, esittäminen ja esiintyminen kasvien kanssa” [The performances of plants: plants, performing and appearing with plants] in Jukka Mikkonen, Sanna Lehtinen, Kaisa Kortekallio & Noora-Helena Korpelainen (eds.): Ympäristömuutos ja estetiikka.[environmental change and aesthetics] Suomen Estetiikan Seura ry, Helsinki 2022, 470-497. here
“Calling for Zoe as a Utopian Gesture”. Ruukku – studies in artistic research #17 Everyday Utopias and Artistic Research (2021), http://ruukku-journal.fi/fi/issues/17
“Dear Olive Tree.” Journal of Embodied Research, 4(2): 5 (19:40). 2021. DOI: https://doi.org/10.16995/jer.70
“Beyond the Saturation Point – Bortom Mättnadspunkten”, VIS #5 2021 here
“Diffraction, Mixture and Cut-ups in Performing with Plants” in Performance Research 25:5, 31-38. DOI: 10.1080/13528165.2020.1868835
“Remembering the Year of the Tiger – Image, Memory, Site” in Marja Silde, Outi Lahtinen & Tua Helve (eds.), Näyttämö & Tutkimus 8: Muisti, Arkisto ja Esitys [Stage & Research 8: Memory, Archive and Performance], 292-318. See https://journal.fi/teats/article/view/122815
“The Shadow of a Pine Tree. Authorship, Agency and Performing Beyond the Human” in Ewa Bal & Mateusz Chaberski (eds.) Situated Knowing. Epistemic Perspectives on Performance. London & New York: Routledge 2020, 157-170.
“Revisiting the Rock – Self-diffraction as a Strategy”, Global Performance Studies 3.2. (2020) https://gps.psi-web.org/issue-3-2/ and here
“Behind the Back of Linnaeus – Bakom ryggen på Linné.” Ruukku – Studies in Artistic Research, Issue #14 Ecologies of practice. hhttp://ruukku-journal.fi/fi/issues/14
“Performing with Plants in the Ob-scene Anthropocene”. Nordic Theatre Studies vol 32 2020, 121-142 https://tidsskrift.dk/nts/issue/view/8763
“Revisiting the Rusty Ring – Ecofeminism Today?” PARtake Journal DOI: https://doi.org/10.33011/partake.v3i1.473
“The City Skyline Revisited – From networks to trans-corporeality” in Research in Arts & Education 1/2020, pp 37-55 available here and here
“Performing with Trees and the Tide – A Diffractive Reading”, Research in Arts & Education 3/2019, pp 14-46 available here and here
“Return to the Site of the Year of the Rooster” in Annette Arlander, Hanna Järvinen, Tero Nauha and Pilvi Porkola (eds.) Ruukku – studies in artistic research #11 How to do things with performance (2019), http://ruukku-journal.fi/fi/issues/11
“Performing with Plants – Appearing with Elms and Alder”, in Mika Elo, Lea Kantonen and Petri Kaverma (eds.)Etappeja – Kuvataideakatemian tohtoriohjelma 20 vuotta / Waypoints – The Doctoral Programme at Academy of Fine Arts 20 Years 2019, pp 33-56. Here
“Resting with Pines in Nida – attempts at performing with plants”, Performance Philosophy vol 4 (2) 2019, pp 452-475, see here
“Breathing and Growth – performing with plants”, Journal of Dance and Somatic Practices Volume 10. Number 2.2018, pp 175-187.
“Process as Performance or Variations of Swinging”. In Hetty Blades & Emma Meehan (eds.) Performing Process: Sharing Dance and Choreographic Practice. Intellect Books. 2018, pp 99-118.
“Calling the dragon, Holding hands with Junipers: Transpositions in Practice.” In Schwab, Michael (ed.) Transpositions – Aesthetico-Epistemic Operators in Artistic Research. Orpheus institute series, Leuven University Press, 2018 pp. 41-58. See open access e-book
“The Shore Revisited”. Journal of Embodied Research, 1(1), 4 (30:34) 2018. DOI: http://doi.org/10.16995/jer.8
“Day and Night with Malla.” In Screenworks 8.2. Digital Ecologies and the Anthropocene, 2018 ISSN 2514-3123 here
“Dune Dream – Self-imaging, Trans-corporeality and the Environment”. In Body, Space & Technology. 17(1), pp.3–21. DOI: http://doi.org/10.16995/bst.293
“Performing with the Weather” in Global Performance Studies Issue 1.2. Performance Climates (here)
“Ekologinen näkökulma taidetutkimukseen” [An Ecological Perspective on Research in the Arts]. Annette Arlander and Mika Elo. Tiede ja Edistys 4/2017, 335-346. Here
“Calling the Dragon – The five avant-gardes today?” in Research in Arts & Education 3/2017, 1-12 available here and here
“Maisema, materia ja muutos. Harakan saaren luontokulttuuria dokumentoimassa.” [Landscape, Matter and Change. Documenting the Natureculture of Harakka Island] In Mari Mäkiranta, Ulla Piela and Eija Timonen (eds.) Näkyväksi sepitetty maa. [The Land Narrated Visible] Kalevalaseuran vuosikirja 96. Helsinki: SKS 2017, 23-39.
“Practising art – as a habit? / Att utöva konst – som en vana?” In Ruukku Journal, issue 7 edited by Anu Vehviläinen and Markus Kuikka. June 2017.http://ruukku-journal.fi/fi/issues/7
“Performing Landscape – Swinging Together or Playing with Projections”. In Body, Space, Technology Journal vol.16. 2016. Online here
“Mitä tekijä voi tehdä?” [What can an author do?] In Annette Arlander, Laura Gröndahl ja Marja Silde (eds.) Tekijä – teos, esitys ja yhteiskunta. [Author – work, performance, society] Näyttämö ja Tutkimus 6. Teatterintutkimuksen seura Helsinki 2016, 12-37. See https://journal.fi/teats/issue/view/8695
“Repeat, Revisit, Recreate—Two Times Year of the Horse”. In PARSE Journal Issue #3 Repetitions and Reneges. 2016, 43-59. Online here.
“Blogin pitämisen performatiivisuus” [The performativity of blogging]. In Annette Arlander, Helena Erkkilä, Taina Riikonen & Helena Saarikoski (eds.) Esitystutkimus [Performance Studies] Partuuna 2015, 205-232.
“Working with a Witches’ Broom / Att arbeta med en markvast” In Maarit Mäkelä & Jyrki Siukonen (eds.) Materiality and Artistic Research. Ruukku – Studies in Artistic Research 3 http://ruukku-journal.fi/fi/issues/3
“Performing Landscape for Years”. Performance Research 19-3 2014, 27-31.
“Elävä esitys” [Live performance] in Marjatta Häti-Korkeila, Hanna Järvinen, Jukka Kortti, Riku Roihankorpi (eds.) Teatteri ja Media(t) [Theatre and Media] Näyttämö ja tutkimus 5. Teatterintutkimuksen seura Helsinki 2014, 13-36. See https://journal.fi/teats/issue/view/8696
“Tuulikaide – Eräänlainen alku” / “Wind Rail – Sort of a Beginning” Ruukku – Studies in Artistic Research 1/ 2013. http://ruukku-journal.fi/fi/issues/1
“Taiteellisesta tutkimuksesta” [On Artistic Research] Lähikuva 3/2013, 7-24.
“Performing Landscape: Live and Alive” Total Art Journal Vol. 2. 2012. Available here.
“Performing Landscape as Autotopographical Exercise” Contemporary Theatre Review 22:2. 2012, 251-258.
“Santa Marian suola-altaat – epäpaikoista ja performatiivisen tutkimuksen haasteista” [The Salt Basins at Santa Maria – Non-places and the Challenges of Performative Research] in Liisa Ikonen, Hanna Järvinen, Maiju Loukola (eds.) Näyttämöltä tutkimukseksi – esittävien taiteiden metodologiset haasteet [From Stage to Research – Methodological Challenges of Performing Arts]. Näyttämö ja tutkimus 4. Teatterintutkimuksen seura Helsinki 2012, 9-26. See https://journal.fi/teats/issue/view/8697
“Event scores for performing interruptions” in Tiina Mäntymäki and Olli Mäkinen (eds). Art and Resistance. University of Vaasa. Research Papers 290. 2009, 153-168.
“Huomioita hiekassa – maisema, esitys, liikkuva kuva ja liike kuvassa” [Notes in Sand – landscape, performance, moving image and moving in the image] in Laura Gröndahl, Teemu Paavolainen & Anna Thuring (eds.) Näkyvää ja näkymätöntä [Visible and Invisible]. Näyttämö ja tutkimus 3. Teatterintutkimuksen seura Helsinki 2009, 49-68. See https://journal.fi/teats/issue/view/8698
“Finding your way through the woods – experiences in artistic research” Nordic Theatre Studies Vol. 20. 2008, 28-41.
“Miten maisema minua liikuttaa” [How the landscape moves me] in Olli Mäkinen & Tiina Mäntymäki (eds.) Taide ja liike [Art and Movement]. University of Vaasa. Research Papers 282. Vaasa 2007, 143-181.
“Performing Landscape – Many Places, Many Patrons” in Irene Eynat-Confino & Eva Sormova (eds.) Patronage and the Stage. Theatre Institute Prague 2006, 167-179.
“Performing Landscape – Acting Text” Nordic Theatre Studies Vol. 15. 2003, 60-76.
Performing Landscape 